{"id":2781,"date":"2014-09-22T11:15:39","date_gmt":"2014-09-22T11:15:39","guid":{"rendered":"http:\/\/blog.quelic.net\/?p=2781"},"modified":"2018-01-26T12:09:24","modified_gmt":"2018-01-26T12:09:24","slug":"kvir-salon-2014","status":"publish","type":"post","link":"https:\/\/blog.quelic.net\/en\/2014\/kvir-salon-2014\/","title":{"rendered":"KVIR SALON 2014"},"content":{"rendered":"

\"3785kvirsalon2014_360\"<\/a>\"voID<\/a>\"voID<\/a>\"voID<\/a>\"voID<\/a>\"voID<\/a>\"DSC_0013\"<\/a>\"DSC_0015\"<\/a>\"DSC_0026\"<\/a>\"DSC_0037<\/a><\/p>\n

The Queer Salon \u201cZajedni\u010dka snaga\u201d (Joint Force) is an exhibition especially realized on the occasion of Pride Week 2014 in Belgrade. Artworks created for the exhibition will be placed at various locations in Belgrade, on the Internet, in the space of KC Grad – on the terrace, the facade, stairs, in a caf\u00e9 and in the Big gallery. The thirteen artists exhibiting at the Salon, come from Belgrade, Nis and Skopje, working in various fields of artistic activity – primarily visual artists, architecture, and design, playwriting and artistic programming. The selection of artist was based on the evaluation of activist components in their artistic practice, with a focus on the different strategies of collectivism and intervention in space (streets, buildings, parks, galleries, theaters, and internet and anti fashion).<\/p>\n

I will show the voID <\/em>project.<\/strong><\/p>\n

The exhibition concept of the Queer Salon this year was designed primarily as process, a joint venture of artists and collaborators from different fields of theory and activism (history and theory of art, sociology, gender, feminist and queer studies, psychology and psychoanalysis, political science and social activism). Our intention was to work out of context, without imposing pre-set themes, and to look at the problem of sexuality as just one problem in the complex network of relationships with other social problems.<\/p>\n

The produced artworks reflect the plurality of selected topics, media and artistic strategies and personal \/ political views of the artist in relation to the local struggle for human rights. Some works illuminate certain issues of activism and institutional (identity, national, neo-liberal) policies. Others raise issues of symbolic violence, identity, and personal a(rt)ctivism, nonviolent direct action, self-organization and solidarity. Together, they explore the (im)possibility of communication arts community, potential common areas of understanding and empathy in society, as well as opportunities to create broader alliances and completely new ideas for the transformation of the social system.<\/p>\n

Artists and art groups:<\/strong> An\u0111ela Muj\u010di\u0107, Bojana Petkovi\u0107, Marija \u0160evi\u0107, Velimir \u017dernovski, Maja Pelevi\u0107, Deana Petrovi\u0107, Ivan Vuki\u0107, Udru\u017eenje KURS (Mirjana Radovanovi\u0107, Milo\u0161 Mileti\u0107), Aleksandra Jovani\u0107, \u017deljka Veljkovi\u0107, Quelic Berga\u00a0 i FUCKTHEMALL (Dejana Vranje\u0161, Milan Miljkovi\u0107)<\/p>\n

Contributors<\/strong>: Tanja Markovi\u0107, Stevan Vukovi\u0107, Milan Radovanovi\u0107, Marijana Stoj\u010di\u0107, Jelena Visnjic, Slav\u010do Dimitrov, Nikola Herman, Sima Kokotovi\u0107, Simona Ognjanovi\u0107<\/p>\n

The concept and organization of the exhibition<\/strong>: Jelena Vojvodi\u0107<\/p>\n

Volunteers<\/strong>: tudents at the Department of Photography Art Academy in Belgrade, Aleksandra Samard\u017ei\u0107<\/p>\n

Production<\/strong>: KC GRAD, Belgrade – Ljudmila Stratimirovi\u0107, Dejan Ubovi\u0107; Jelena Vojvodi\u0107<\/p>\n

Financial support<\/strong>: Ministry of Culture and Information of the Republic of Serbia, Belgrade Pride Parade<\/p>\n

Graphic design<\/strong>: FuckThemAll<\/p>","protected":false},"excerpt":{"rendered":"

The Queer Salon \u201cZajedni\u010dka snaga\u201d (Joint Force) is an exhibition especially realized on the occasion of Pride Week 2014 in Belgrade. Artworks created for the exhibition will be…<\/p>\n","protected":false},"author":2,"featured_media":2944,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2781","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-general"],"_links":{"self":[{"href":"https:\/\/blog.quelic.net\/en\/wp-json\/wp\/v2\/posts\/2781","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.quelic.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.quelic.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.quelic.net\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.quelic.net\/en\/wp-json\/wp\/v2\/comments?post=2781"}],"version-history":[{"count":18,"href":"https:\/\/blog.quelic.net\/en\/wp-json\/wp\/v2\/posts\/2781\/revisions"}],"predecessor-version":[{"id":3269,"href":"https:\/\/blog.quelic.net\/en\/wp-json\/wp\/v2\/posts\/2781\/revisions\/3269"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.quelic.net\/en\/wp-json\/wp\/v2\/media\/2944"}],"wp:attachment":[{"href":"https:\/\/blog.quelic.net\/en\/wp-json\/wp\/v2\/media?parent=2781"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.quelic.net\/en\/wp-json\/wp\/v2\/categories?post=2781"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.quelic.net\/en\/wp-json\/wp\/v2\/tags?post=2781"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}