{"id":1566,"date":"2011-03-05T12:46:12","date_gmt":"2011-03-05T11:46:12","guid":{"rendered":"http:\/\/ccc.caotic.net\/?p=1566"},"modified":"2014-02-03T21:50:27","modified_gmt":"2014-02-03T21:50:27","slug":"soon-in-la-base-sous-marine-bordeaux-a-film-by-agusti-centelles","status":"publish","type":"post","link":"https:\/\/blog.quelic.net\/en\/2011\/soon-in-la-base-sous-marine-bordeaux-a-film-by-agusti-centelles\/","title":{"rendered":"Soon in &#8216;La Base-sous-marine&#8217; (Bordeaux) a film about pictures of Agust\u00ed Centelles"},"content":{"rendered":"<p>&#8220;la guerre civile d&#8217;Agust\u00ed Centelles&#8221; (2006)  was comissioned in order to show as many photographs as possible from the then practically unknown archive as a way to complement what was on display in the exhibition halls. I had no special prior knowledge about the Civil War and I was born in 1980, that is, fifteen years after Franco&#8217;s death. I understood the comission was intended with the aim of having the &#8220;look&#8221; of the younger generation in democratic Spain over the shocking, fascinating images that Centelles had preserved. My only rationale, then, was to produce a visual sequence of the war through the work of Centelles, but according to what appeared significant or moving to my young eyes. It was an exercise in &#8220;filming&#8221; photography and producing a linear sequence of what the photographer caught with his Leica. No intereference of words or commentary. It is a work for quiet reflection. Food for thought while the stream of images and music try, ceaslessly, to reach the audience.<\/p>\n<p><a href=\"http:\/\/blog.quelic.net\/files\/2011\/03\/centelles2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-1604\" title=\"centelles2\" src=\"http:\/\/blog.quelic.net\/files\/2011\/03\/centelles2-494x370.jpg\" alt=\"\" width=\"494\" height=\"370\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;la guerre civile d&#8217;Agust\u00ed Centelles&#8221; (2006) was comissioned in order to show as many photographs as possible from the then practically unknown archive as a way to complement&#8230;<\/p>\n","protected":false},"author":1,"featured_media":1604,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,10],"tags":[],"class_list":["post-1566","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-audiovisuals","category-noticies"],"_links":{"self":[{"href":"https:\/\/blog.quelic.net\/en\/wp-json\/wp\/v2\/posts\/1566","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.quelic.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.quelic.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.quelic.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.quelic.net\/en\/wp-json\/wp\/v2\/comments?post=1566"}],"version-history":[{"count":1,"href":"https:\/\/blog.quelic.net\/en\/wp-json\/wp\/v2\/posts\/1566\/revisions"}],"predecessor-version":[{"id":2343,"href":"https:\/\/blog.quelic.net\/en\/wp-json\/wp\/v2\/posts\/1566\/revisions\/2343"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.quelic.net\/en\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/blog.quelic.net\/en\/wp-json\/wp\/v2\/media?parent=1566"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.quelic.net\/en\/wp-json\/wp\/v2\/categories?post=1566"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.quelic.net\/en\/wp-json\/wp\/v2\/tags?post=1566"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}